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Musicology

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Musicology in the Bard Music Program is devoted to learning the repertoire of a thousand years’ worth of music in relation to its social context. The base of the musicology curriculum is a four-semester sequence covering the history of music: Medieval and Renaissance; Baroque and Classical; Romantic; and Music since 1910. 
Studying Musicology

Studying Musicology

Musicology offers specialized courses, which in recent years have included Mozart and His World; Music in Shakespeare / Shakespeare in Music; Music and Politics through the Ages; Mozart’s Operas and the Enlightenment; Beethoven and His World; Debussy and Ravel; The Interaction between Music and Film; Bartók and Stravinsky; Gustav Mahler and His World; Death Set to Music; High and Low / Tensions and Agreements; and many others.

Studying Musicology

It is possible for a student to major in musicology, usually by writing a Senior Project paper (minimum 70 pages) on a specific historical phenomenon, a composer, a repertoire of music, or a social scene in which a kind of music arose. Recent Senior Projects have included papers on Japanese pop music, third-stream jazz, and Nabokov and Stravinsky, among others.

Musicology Faculty

Musicology Faculty

Faculty teaching in Musicology include:
James Bagwell (chair) – choral conducting and history
Leon Botstein – music history
Kyle Gann – music theory and composition
Christopher H. Gibbs – music history
Peter Laki – music history

Applying to the Program

  • How to Apply
    To apply to the undergraduate Bard Music Program, apply through the Bard Admission Office. Applying to the Bard Conservatory of Music requires a separate application to the Conservatory.
    Apply to the Undergraduate Program   Apply to the Conservatory
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