Cocurricular Opportunities


Founded in 1990, the Bard Music Festival focuses on the life and work of a single composer, presenting that work in the cultural and social context of his or her time. Recent festivals have explored the worlds of Puccini, Carlos Chávez, Sibelius, Berg, Wagner, Prokofiev, Elgar, Liszt, Saint-Saëns, Stravinsky, and Schubert. The Bard Music Festival is part of the seven-week SummerScape series, which the Wall Street Journal called “one of the most intellectually stimulating of all American summer festivals.“

The John Cage Trust, created to oversee the use of the published and unpublished work of one of the 20th century’s most important composers, has permanent residence at Bard College. The trust’s holdings—which include scores, recordings, texts, artworks, Cage’s personal library, and ephemera—are accessible to scholars, students, faculty, and the general public. The John Cage Trust also generates courses, workshops, and concerts, as well as other educational activities and programs.

A feature of the Stevenson Library’s online archive is Bard Makes Noise, a website that documents 40 years of student musicians and bands through audio, video, and photos.

Student-Run Performance Opportunities

The Old Gym is a multipurpose, student-run arts space with the technical capabilities of a small black-box theater. It is open to any student who wants to explore performance or alternative installation projects. The space is managed by a committee of students representing every artistic discipline—theater and performance, film and electronic arts, dance, studio arts, photography, and music.

SMOG is a rock and jazz performance space in a converted garage, open to Bard students for band performances or practices.

vocal performance
exterior of the Fisher Center
John Cage weekend poster in the music building
gamelan performance
performance at Fisher Center
reel-to-reel recorder in the music building
entrance to The Orchestra Now office
drumsets in a practice room