The Bard College campus is awash in music; by all accounts, that fact is one of the school’s most distinctive features. The Music Program, one of the largest programs on campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. The music faculty all maintain highly visible careers outside academia, many of us nationally or internationally. Many of our most active music students are majoring in something other than music, and all are welcome.
Photo by Karl Rabe
The Bard Conservatory
The Music Program is separate from the Bard College Conservatory of Music, which has a double-degree program and various graduate programs. The Conservatory's primary differences are as follows: focus on classical music performance and composition; secondary major required; five-year program; and audition required to apply. Despite the separation, many performance opportunities involve both Conservatory students and Music Program students.
The Bard Baroque Ensemble
The Bard Baroque Ensemble welcomes students from both the College and Conservatory. At the start of the semester, students from the College or Conservatory wishing to join should contact director Renée Anne Louprette at [email protected] to express their interest in joining. Watch a livestreamed concert by the Bard Baroque Ensemble in collaboration with Bard Chamber Singers, Preparatory Chorus, Graduate Vocal Arts Program, performing works by Bach in Olin Hall.
Applying to the Program
NEWSROOM
Composer in Residence Missy Mazzoli Profiled in the New York Times
“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
Composer in Residence Missy Mazzoli Profiled in the New York Times
Composer in Residence Missy Mazzoli.
Mazzoli is a Grammy-nominated composer and musician who has written operas including Lincoln in the Bardo and Proving Up that are based on contemporary literature. She teaches in the Bard College Conservatory of Music, which provides the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
Post Date: 05-28-2026
James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society
Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.
James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society
James Bagwell, director of the music program at Bard College and director of performance studies in the Bard College Conservatory of Music.
He has been a regular guest conductor for the Tulsa Symphony since 2007, leading it in performances of Mozart’s Requiem and Brahms’s Ein deutsches Requiem, returning in subsequent seasons to conduct Britten’s War Requiem, and Mahler’s First Symphony. “We are thrilled to welcome James Bagwell as principal conductor of the Tulsa Symphony Orchestra,” said Morgan Walker, executive director of Tulsa. “His long-standing relationship with the orchestra, combined with his depth of experience and artistic leadership, makes him the ideal partner as we look ahead to an exciting new chapter.”
Bagwell, who additionally serves as codirector of the Bard Conservatory Graduate Program in conducting and is associate conductor of The Orchestra Now (TŌN), also frequently appears as a guest conductor for orchestras around the country and abroad, including the Indianapolis Chamber Orchestra, the Interlochen Music Festival, and the Jerusalem Symphony. “I’ve long admired James Bagwell’s work as a choral conductor,” said Eugene Drucker, artistic director of Berkshire Bach, “specifically in the Berkshire Bach Society vocal concerts for which I’ve had the pleasure of serving as his concertmaster, and more generally in his meticulous preparation of the chorus for opera productions at Bard College’s Summerscape and for oratorio performances with the American Symphony Orchestra at Carnegie Hall.”
The Music Program, one of the largest programs on Bard’s campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory.
Post Date: 05-12-2026
Professor Franz Nicolay Reviews Burning Down the House, A New Book About the Talking Heads, for the Wall Street Journal
Franz Nicolay, visiting instructor of music at Bard College, reviewed Burning Down the House by Jonathan Gould, a new book about the band The Talking Heads, for the Wall Street Journal. The book, Nicolay writes, tracks the “almost magical, barely explicable, transformation of a group” that “has to be a candidate in the perennial conversation about the greatest American rock band.”
Professor Franz Nicolay Reviews Burning Down the House, A New Book About the Talking Heads, for the Wall Street Journal
Franz Nicolay.
The Music Program provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. The music faculty all maintain highly visible careers outside academia, nationally and internationally.
Post Date: 01-27-2026