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Main Image for The Music Program at Bard

The Music Program at Bard

Photo by Jonathan Aseidu '24
Music Menu
  • Curriculum sub-menuCurriculum Areas
    • Classical Vocal Performance
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Apply Now!
The Bard College campus is awash in music; by all accounts, that fact is one of the school’s most distinctive features. The Music Program, one of the largest programs on campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. The music faculty all maintain highly visible careers outside academia, many of us nationally or internationally. Many of our most active music students are majoring in something other than music, and all are welcome.

Studying Music at Bard

Studying Music at Bard
Music Curriculum
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Faculty
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Ensembles + Lessons
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The Bard Conservatory
Photo by Karl Rabe

The Bard Conservatory

The Music Program is separate from the Bard College Conservatory of Music, which has a double-degree program and various graduate programs. The Conservatory's primary differences are as follows: focus on classical music performance and composition; secondary major required; five-year program; and audition required to apply. Despite the separation, many performance opportunities involve both Conservatory students and Music Program students.

More about the Bard Conservatory

The Bard Baroque Ensemble

The Bard Baroque Ensemble welcomes students from both the College and Conservatory. At the start of the semester, students from the College or Conservatory wishing to join should contact director Renée Anne Louprette at [email protected] to express their interest in joining. Watch a livestreamed concert by the Bard Baroque Ensemble in collaboration with Bard Chamber Singers, Preparatory Chorus, Graduate Vocal Arts Program, performing works by Bach in Olin Hall.

More about the Baroque Ensemble

Learn more about other music ensembles at Bard

Applying to the Program

  • How to Apply
    To apply to the undergraduate Bard Music Program, apply through the Bard Admission Office. Applying to the Bard Conservatory of Music requires a separate application to the Conservatory.
    Apply to the Undergraduate Program   Apply to the Conservatory

Upcoming Events

  • Jazz Improv Ensemble
    5/14
    Thursday
    5:00 pm – 6:00 pm EDT/GMT-4
    Blum N211, the jazz room
    Jazz Improv Ensemble

    Jazz Improv Ensemble

    Thursday, May 14, 2026
    5:00 pm – 6:00 pm EDT/GMT-4
    Blum N211, the jazz room

    Jazz Improv class end of year concert.

    Sponsored by: Music Program


    Go to Event Page
  • 5/14
    Thursday
    7:30 pm EDT/GMT-4
    Blum N210

    Hosain Aqa Hosaini Moderation Lecture

    Thursday, May 14, 2026
    7:30 pm EDT/GMT-4
    Blum N210

    Student degree moderation lecture.

    Sponsored by: Music Program


    Go to Event Page
  • Bard Accordion Orchestra
    5/14
    Thursday
    8:00 pm – 9:00 pm EDT/GMT-4
    Bard Hall
    Bard Accordion Orchestra

    Bard Accordion Orchestra

    Thursday, May 14, 2026
    8:00 pm – 9:00 pm EDT/GMT-4
    Bard Hall

    Join us on May 14 for a performance of the Bard Accordion Orchestra, which will feature soulful new interpretations of various American immigrant musics: from klezmer to zydeco to polka to forró to the contemplative edge of accordion-based experimentalism, and more! This ensemble features the students enrolled in "Accordionology: Class, Race, and Migration in American Musics."
    The Bard Accordion Orchestra will be followed by a short set from local accordionist Matt Schreiber. Schrieber has been dedicated to the study and performance of Southeastern European folk traditions for over two decades, and blends improvisation, songcraft, and vernacular music into a single stream. Matt has performed on stages and in kitchens throughout the US and Europe, and his original music has been featured in Hollywood film and awarded in Bulgaria. Matt can be found performing regularly with Hinterlands, Krivo, and Anatole Trio.  
    We will also have fabric paint and accordion stamps, so Bring Your Own T-shirt (BYOT) (or buy one of our limited supply) to support the maintenance of our accordions. 


    Sponsored by: Music Program

    Contact: Maria Sonevytsky
    E-mail: [email protected]


    Go to Event Page
  • Contemporary Jazz Composers
    5/14
    Thursday
    8:00 pm – 9:00 pm EDT/GMT-4
    Blum Hall
    Contemporary Jazz Composers

    Contemporary Jazz Composers

    Thursday, May 14, 2026
    8:00 pm – 9:00 pm EDT/GMT-4
    Blum Hall

    Jazz class concert.

    Sponsored by: Music Program

    Contact: Erica Lindsay
    E-mail: [email protected]


    Go to Event Page

NEWSROOM

a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

a man in a black t-shirt stands in front of a hallway of gothic stone arches
James Bagwell, director of the music program at Bard College and director of performance studies in the Bard College Conservatory of Music.
Professor of Music James Bagwell, director of the music program at Bard College and director of performance studies in the Bard College Conservatory of Music, has been announced as the principal conductor of the Tulsa Symphony Orchestra, as well as principal conductor and director of choral music at the Berkshire Bach Society. Bagwell will assume a central artistic leadership role with Tulsa Symphony, helping shape programming and performances as the orchestra continues to expand its artistic vision and community impact. Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance. “These two appointments mark the culmination of a long artistic association with the Tulsa Symphony and Berkshire Bach,” said Bagwell. “I look forward to many more years of artistic collaborations with these two prestigious organizations.”

He has been a regular guest conductor for the Tulsa Symphony since 2007, leading it in performances of Mozart’s Requiem and Brahms’s Ein deutsches Requiem, returning in subsequent seasons to conduct Britten’s War Requiem, and Mahler’s First Symphony. “We are thrilled to welcome James Bagwell as principal conductor of the Tulsa Symphony Orchestra,” said Morgan Walker, executive director of Tulsa. “His long-standing relationship with the orchestra, combined with his depth of experience and artistic leadership, makes him the ideal partner as we look ahead to an exciting new chapter.” 

Bagwell, who additionally serves as codirector of the Bard Conservatory Graduate Program in conducting and is associate conductor of The Orchestra Now (TŌN), also frequently appears as a guest conductor for orchestras around the country and abroad, including the Indianapolis Chamber Orchestra, the Interlochen Music Festival, and the Jerusalem Symphony. “I’ve long admired James Bagwell’s work as a choral conductor,” said Eugene Drucker, artistic director of Berkshire Bach, “specifically in the Berkshire Bach Society vocal concerts for which I’ve had the pleasure of serving as his concertmaster, and more generally in his meticulous preparation of the chorus for opera productions at Bard College’s Summerscape and for oratorio performances with the American Symphony Orchestra at Carnegie Hall.” 

The Music Program, one of the largest programs on Bard’s campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. 
 

Post Date: 05-12-2026
Professor Franz Nicolay Reviews <em>Burning Down the House</em>, A New Book About the Talking Heads, for the <em>Wall Street Journal</em>

Professor Franz Nicolay Reviews Burning Down the House, A New Book About the Talking Heads, for the Wall Street Journal

Franz Nicolay, visiting instructor of music at Bard College, reviewed Burning Down the House by Jonathan Gould, a new book about the band The Talking Heads, for the Wall Street Journal. The book, Nicolay writes, tracks the “almost magical, barely explicable, transformation of a group” that “has to be a candidate in the perennial conversation about the greatest American rock band.”

Professor Franz Nicolay Reviews Burning Down the House, A New Book About the Talking Heads, for the Wall Street Journal

Professor Franz Nicolay Reviews <em>Burning Down the House</em>, A New Book About the Talking Heads, for the <em>Wall Street Journal</em>
Franz Nicolay.
“To make a music scene you need four things,” writes Franz Nicolay, visiting instructor of music at Bard College: “cheap housing, recent art-school graduates, a stage where anyone can play, and a small clique of young critics eager to discover a new subculture.” The Talking Heads, the subject of Burning Down the House by Jonathan Gould, had all four. In a review of Gould’s book for the Wall Street Journal, Nicolay praises the work’s unwillingness to oversimplify, saying Gould is “especially interested in skewering the mythology of downtown.” While the book “remains a largely unflattering portrait of the band,” it tracks the “almost magical, barely explicable, transformation of a group” that, says Nicolay, “has to be a candidate in the perennial conversation about the greatest American rock band.”

The Music Program provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. The music faculty all maintain highly visible careers outside academia, nationally and internationally.
Read the full review in the Wall Street Journal

Post Date: 01-27-2026
The cover art for four albums 

Bard Conservatory and Music Faculty and Alumni/ae Nominated for 2026 GRAMMY Awards

The 2026 GRAMMYs, officially known as the 68th GRAMMY Awards, will take place on Sunday, February 1.

Bard Conservatory and Music Faculty and Alumni/ae Nominated for 2026 GRAMMY Awards

The cover art for four albums 
Clockwise from top left: Lights on a Satellite, featuring Gwen Laster; In This Short Life  featuring Devony Smith VAP ’14; Schubert/Beatles featuring Julia Bullock VAP ’11; La Mer: French Piano Trios featuring Eri Nakamura CPF ’15. 
A Bard College Music Program faculty member and three Conservatory of Music alumni/ae have been nominated for the 2026 GRAMMY Awards. Gwen Laster, visiting artist in residence, is nominated in the category of Best Large Jazz Ensemble Album for Lights on a Satellite recorded with Sun Ra Arkestra. Devony Smith VAP ’14, is nominated in the category of Best Classical Solo Vocal Album for her album In This Short Life with pianist Danny Zelibor. Julia Bullock VAP ’11, is also a featured artist on the album Schubert/Beatles, nominated in the same category. Eri Nakamura CPF ’15, a member of the Neave Trio, is nominated in the category of Best Chamber Music/Small Ensemble Performance for their album, La Mer: French Piano Trios. The 2026 GRAMMYs, officially known as the 68th GRAMMY Awards, will take place on Sunday, February 1 at Crypto.com Arena in Los Angeles. 

The Bard College campus is awash in music—by all accounts, one of the school’s most distinctive features. The Music Program, one of the largest programs on campus, provides a wide range of musical concentrations, and the Bard Conservatory aims to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.
See the full list

Post Date: 11-25-2025
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Annandale-on-Hudson, New York 12504-5000
Phone: 845-758-6822
Admission Email: [email protected]
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