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Main Image for The Music Program at Bard

The Music Program at Bard

Photo by Jonathan Aseidu '24
Music Menu
  • Curriculum sub-menuCurriculum Areas
    • Classical Vocal Performance
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Apply Now!
The Bard College campus is awash in music; by all accounts, that fact is one of the school’s most distinctive features. The Music Program, one of the largest programs on campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. The music faculty all maintain highly visible careers outside academia, many of us nationally or internationally. Many of our most active music students are majoring in something other than music, and all are welcome.

Studying Music at Bard

Studying Music at Bard
Music Curriculum
Faculty
Faculty
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Facilities
Ensembles + Lessons
Ensembles + Lessons
Opportunities
Opportunities
The Bard Conservatory
Photo by Karl Rabe

The Bard Conservatory

The Music Program is separate from the Bard College Conservatory of Music, which has a double-degree program and various graduate programs. The Conservatory's primary differences are as follows: focus on classical music performance and composition; secondary major required; five-year program; and audition required to apply. Despite the separation, many performance opportunities involve both Conservatory students and Music Program students.

More about the Bard Conservatory

The Bard Baroque Ensemble

The Bard Baroque Ensemble welcomes students from both the College and Conservatory. At the start of the semester, students from the College or Conservatory wishing to join should contact director Renée Anne Louprette at [email protected] to express their interest in joining. Watch a livestreamed concert by the Bard Baroque Ensemble in collaboration with Bard Chamber Singers, Preparatory Chorus, Graduate Vocal Arts Program, performing works by Bach in Olin Hall.

More about the Baroque Ensemble

Learn more about other music ensembles at Bard

Applying to the Program

  • How to Apply
    To apply to the undergraduate Bard Music Program, apply through the Bard Admission Office. Applying to the Bard Conservatory of Music requires a separate application to the Conservatory.
    Apply to the Undergraduate Program   Apply to the Conservatory

Upcoming Events

  • 10/26
    Sunday
    7:00 pm – 8:00 pm EDT/GMT-4
    Bitó Conservatory Building, Performance Space

    Emaneule Arciuli: Piano Nocturnes

    Sunday, October 26, 2025
    7:00 pm – 8:00 pm EDT/GMT-4
    Bitó Conservatory Building, Performance Space

    Piano concert.

    Sponsored by: Music Program

    Contact: Kyle Gann
    E-mail: [email protected]

  • 11/18
    Tuesday
    7:15 pm – 8:15 pm EST/GMT-5
    The Jazz Room, Blum N211

    Jasmine Caperton Senior Concert

    Tuesday, November 18, 2025
    7:15 pm – 8:15 pm EST/GMT-5
    The Jazz Room, Blum N211

    Join us for a student degree recital.

    Sponsored by: Music Program

  • 11/19
    Wednesday
    6:00 pm – 7:00 pm EST/GMT-5
    Bard Hall

    Helena Baillie Violin Class Recital

    Wednesday, November 19, 2025
    6:00 pm – 7:00 pm EST/GMT-5
    Bard Hall

    Violin recital.

    Sponsored by: Music Program

  • 11/21
    Friday
    7:00 pm – 8:00 pm EST/GMT-5
    Chapel of the Holy Innocents

    Baroque Ensemble

    Friday, November 21, 2025
    7:00 pm – 8:00 pm EST/GMT-5
    Chapel of the Holy Innocents

    Join us for a baroque ensemble.

    Sponsored by: Music Program

    Contact: Renée Anne Louprette
    E-mail: [email protected]

NEWSROOM

left, a woman stands with a camera in a swamp to take a photo. right, a woman smiles with grass behind her

Two Bard College Faculty Awarded New York State Council on the Arts Grants

Tanya Marcuse, associate professor of photography, and Sarah Hennies, assistant professor of music, have been awarded 2025 NYSCA/NYFA Artist Fellowships. 

Two Bard College Faculty Awarded New York State Council on the Arts Grants

left, a woman stands with a camera in a swamp to take a photo. right, a woman smiles with grass behind her
L–R: Tanya Marcuse, associate professor of photography; Sarah Hennies, assistant professor of music, photo by Kay Bell ’26
 
Two members of the Bard College undergraduate faculty, Tanya Marcuse, associate professor of photography, and Sarah Hennies, assistant professor of music, have been awarded 2025 NYSCA/NYFA Artist Fellowships, a highly competitive program of the New York State Council on the Arts and the New York Foundation for the Arts. Marcuse received a fellowship in the category of Photography for Portent, Part II of her larger project Book of Miracles, and Hennies received a fellowship in the category of Music/Sound for her ongoing work as a composer and percussionist exploring the intersections of sound, perception, and social identity. Marcuse is one of 24 Fellows in Photography, selected from 951 applicants; Hennies is one of 22 Fellows in Music/Sound, selected from 1,015 applicants.

In Portent, Marcuse visualizes phenomena that defy the laws of nature by staging fantastical scenes in swamps, rivers, and orchards near her home in the Hudson Valley. Conceived during the Covid-19 pandemic, her project reflects the instability of our world while expanding photography’s ability to navigate the ambiguous terrain between fact and fiction. She is currently preparing a book and several exhibitions of the project. In addition, Marcuse has been named one of five Joy of Giving Something (JGS) Fellows, which supports contributors to the photographic arts.

Throughout her fellowship, Hennies will continue to develop new pieces that challenge conventional boundaries between music, sound art, and lived experience. Her compositions often take the form of immersive, durational works that foreground subtle shifts in rhythm, resonance, and timbre. Her projects engage themes of queer and trans identity, psychoacoustics, and the politics of listening, inviting audiences into heightened awareness of time and embodiment. In a separate honor, Hennies has been named the 2025 Composer in Residence for the Huddersfield Contemporary Music Festival, taking place in Huddersfield, England in November.

Each year, the NYSCA/NYFA Artist Fellowship provides a lens for contemporary artistic expression. The themes, ideas, and materials used by the 2025 Fellows reflect and respond to the larger social, political, and economic issues of today. Artists across categories are exploring topics including diasporic and immigrant identity; gender, race, and sexuality; environmental and disability justice; and civic engagement.


Post Date: 08-29-2025
Bard Alumnus and Jazz Pianist Ran Blake ’60 Profiled in the <em>Boston Globe </em>

Bard Alumnus and Jazz Pianist Ran Blake ’60 Profiled in the Boston Globe 

Jazz pianist and Bard College alumnus Ran Blake ’60 was interviewed by the Boston Globe for an article covering the artist’s career, which has spanned more than 60 years.

Bard Alumnus and Jazz Pianist Ran Blake ’60 Profiled in the Boston Globe 

Bard Alumnus and Jazz Pianist Ran Blake ’60 Profiled in the <em>Boston Globe </em>
Ran Blake ’60. Photo by Andy Hurlbut
Jazz pianist and Bard College alumnus Ran Blake ’60 was interviewed by the Boston Globe for an article covering the artist’s career, which has spanned more than 60 years, and how he at 90 is preparing to perform a solo concert in Brookline, MA, this September. Blake, whose career has yielded over 40 recording credits on jazz albums, has also spent over 40 years teaching jazz at the New England Conservatory of Music (NEC), where he cofounded and led the Department of Third Stream, now called the Department of Contemporary Improvisation. “Ran gave me the freedom to find myself in jazz standards,” said Portuguese singer Sara Serpa, who studied with Blake at NEC and collaborated on an album with him, adding that he “really gave me permission to find myself in the songs, to create my own stories.”Blake also spent years bringing music programming to the public as NEC’s community services director, telling the Globe, “It was very important to send music to where the people are and encourage them to play.”
 
Read more in the Boston Globe

Post Date: 08-27-2025
a man stand in the center of student musicians on a darkened stage

Annual Conference of the US–China Music Institute Featured in Xinhua

The conference was part of the broader work of the US–China Music Institute to promote cultural bridges between the US and China through music, education, and performance. 

Annual Conference of the US–China Music Institute Featured in Xinhua

a man stand in the center of student musicians on a darkened stage
The Bard East-West Ensemble with conductor Jindong Cai, director of the U.S.-China Music Institute.
The seventh annual international conference of Bard Conservatory of Music’s US–China Music Institute was featured in Xinhua. The event, titled “Exploration and Resonance: Chinese Music in the West,” took place from May 1–3 at the China Institute in New York City as a three-day series of scholarly, interactive, and musical events exploring the rich tapestry of Chinese musical heritage and its resonance in the West. The conference was also part of the broader work of the US–China Music Institute to promote cultural bridges between the US and China through music, education, and performance. 

“If you look at two countries, two regions, or two cultures through a political lens, you see conflict,” Jindong Cai, director of the U.S.-China Music Institute, told Xinhua. “But if you look at them through a cultural point of view, you find connection. Music, in particular, is impossible to decouple.” The evening programs also featured concerts by the Bard East-West Ensemble, which played a program of Chinese musical compositions specially arranged for the unique instrumentation of a Western string quintet, seven traditional Chinese instruments, and percussion. “Right now, we're seeing deep divisions across the globe,” said Xiaogang Ye, dean of the School of Music at the Chinese University of Hong Kong. “In this increasingly polarized world, perhaps Chinese music can take on a new role, not just as an artistic tradition, but as a form of emotional mediation, a means of restoring clarity and calm.”
Read More About the Conference “Exploration and Resonance: Chinese Music in the West”

Post Date: 05-06-2025
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