The Bard College campus is awash in music; by all accounts, that fact is one of the school’s most distinctive features. The Music Program, one of the largest programs on campus, provides a wide range of musical concentrations, from classical composition and performance to jazz, electronic music, musicology, ethnomusicology, and music theory. The music faculty all maintain highly visible careers outside academia, many of us nationally or internationally. Many of our most active music students are majoring in something other than music, and all are welcome.
The Music Program is separate from the Bard College Conservatory of Music, which has a double-degree program and various graduate programs. The Conservatory's primary differences are as follows: focus on classical music performance and composition; secondary major required; five-year program; and audition required to apply. Despite the separation, many performance opportunities involve both Conservatory students and Music Program students.
The Bard Baroque Ensemble welcomes students from both the College and Conservatory. At the start of the semester, students from the College or Conservatory wishing to join should contact director Renée Anne Louprette at [email protected] to express their interest in joining. Watch a livestreamed concert by the Bard Baroque Ensemble in collaboration with Bard Chamber Singers, Preparatory Chorus, Graduate Vocal Arts Program, performing works by Bach in Olin Hall.
To apply to the undergraduate Bard Music Program, apply through the Bard Admission Office. Applying to the Bard Conservatory of Music requires a separate application to the Conservatory. Apply to the Undergraduate ProgramApply to the Conservatory
Upcoming Events
4/24
Thursday
7:00 pm – 8:00 pm EDT/GMT-4 Meditation Garden near Fisher Studio Arts
Leo Belsky Senior Concert
Thursday, April 24, 2025 | 7:00 pm – 8:00 pm EDT/GMT-4 | Meditation Garden near Fisher Studio Arts
This student degree concert will take place OUTSIDE - in the Meditation Garden near Fisher Studio Arts
Rain back-up location: Bard Hall - 7pm Thurs, April 24 Sponsored by: Music Program
4/25
Friday
7:30 pm – 8:30 pm EDT/GMT-4 Blum Hall
Wesleyan + Bard Collaborative Electronic Music Concert
Friday, April 25, 2025 | 7:30 pm – 8:30 pm EDT/GMT-4 | Blum Hall
Sponsored by: Music Program Contact: Matt Sargent E-mail: [email protected]
4/26
Saturday
7:30 pm – 8:30 pm EDT/GMT-4 Fisher Center, Sosnoff Theater
Assassins: Music and Lyrics by Stephen Sondheim
Saturday, April 26, 2025 – Sunday, April 27, 2025 | 7:30 pm – 8:30 pm EDT/GMT-4 | Fisher Center, Sosnoff Theater
A play performed, directed, and designed by students of the Musical Theater Performance Workshop. Runtime is approximately 105 minutes with no intermission.
11:30 am – 12:30 pm EDT/GMT-4 Chapel of the Holy Innocents
Ethan Wood Senior Concert
Sunday, April 27, 2025 | 11:30 am – 12:30 pm EDT/GMT-4 | Chapel of the Holy Innocents
Join us for a student degree recital. Sponsored by: Music Program
NEWSROOM
Two Bard College Faculty Members Named 2025 Guggenheim Fellows
The John Simon Guggenheim Memorial Foundation has awarded 2025 Guggenheim Fellowships to Bard College Assistant Professor of Photography Lucas Blalock ’02 and Bard College Visiting Artist in Residence Gwen Laster.
Two Bard College Faculty Members Named 2025 Guggenheim Fellows
L–R: Gwen Laster; Lucas Blalock ’02 (photo by Gertraud Presenhuber, courtesy of the artist and Galerie Eva Presenhuber, Zurich/New York)
The John Simon Guggenheim Memorial Foundation has awarded 2025 Guggenheim Fellowships to Bard College Assistant Professor of Photography Lucas Blalock ’02 and Bard College Visiting Artist in Residence Gwen Laster. Chosen through a rigorous application and peer review process from a pool of nearly 3,500 applicants, Blalock, who teaches in the Photography Program, and Laster, who teaches in the Music Program, were tapped based on both prior career achievement and exceptional promise. Bard MFA alum Jordan Strafer ’20 was also named Guggenheim Fellow for 2025. As established in 1925 by founder Senator Simon Guggenheim, each fellow receives a monetary stipend to pursue independent work at the highest level under “the freest possible conditions.” Blalock, Laster, and Strafer are among 198 distinguished individuals working across 53 disciplines appointed to the 100th class of Guggenheim Fellows.
“At a time when intellectual life is under attack, the Guggenheim Fellowship celebrates a century of support for the lives and work of visionary scientists, scholars, writers, and artists,” said Edward Hirsch, award-winning poet and president of the Guggenheim Foundation. “We believe that these creative thinkers can take on the challenges we all face today and guide our society towards a better and more hopeful future.”
In all, 53 scholarly disciplines and artistic fields, 83 academic institutions, 32 US states and the District of Columbia, and two Canadian provinces are represented in the 2025 class, who range in age from 32 to 79. More than a third of the 100th class of fellows do not hold a full-time affiliation with a college or university. Many fellows’ projects directly respond to timely themes and issues such as climate change, Indigenous studies, identity, democracy and politics, incarceration, and the evolving purpose of community. Since its founding in 1925, the Guggenheim Foundation has awarded over $400 million in fellowships to more than 19,000 fellows. The 100th class of Fellows is part of the Guggenheim Foundation’s yearlong celebration marking a century of transformative impact on American intellectual and cultural life.
Lucas Blalock is a Brooklyn-based photographer whose work is in the collections of the Dallas Museum of Art, Guggenheim Museum, Hammer Museum, Metropolitan Museum of Art, Museum of Fine Arts Boston, Portland Museum of Art, and the Whitney Museum of American Art, among many others. Recent solo exhibitions include Florida, 1989, at Galerie Eva Presenhuber, New York; Insoluble Pancakes, Galerie Rodolphe Janssen, Brussels; and An Enormous Oar, Institute of Contemporary Art, Los Angeles; recent group exhibitions include venues in Oslo, Miami, Moscow, Berlin, Beirut, Minneapolis, and New York, where his work was selected for the Whitney Biennial 2019. He and his art have been profiled in publications including Arforum, the New York Times, New Yorker, Art in America, Brooklyn Rail, BOMB Magazine, W Magazine, British Journal of Photography, and Time. He has published essays and interviews as author in the journal Objectiv, IMA Magazine, BOMB, Foam, and Mousse, among others. He previously taught at the School of Visual Arts; Steinhardt School of Culture, Education, and Human Development, New York University; Sarah Lawrence College; and the MFA Program at Ithaca College. He also served as visiting lecturer on visual and environmental studies at Harvard University. He received his BA from Bard College and MFA from the University of California, Los Angeles.
Gwen Laster is a nationally acclaimed musician who has been the recipient of awards from the National Endowment for the Arts, Jubilation Foundation, Puffin Foundation, Arts Mid Hudson, Lila Wallace, and the Cognac Hennessey 1st place Jazz Search. A native Detroiter, her creative influences come from the Motor City’s exciting urban and classical music culture. Laster started improvising and composing because of her parents’ love of jazz, blues, soul, and classical music, and her inspiring music teachers from Detroit’s public schools. Laster relocated to New York City after earning two music degrees from the University of Michigan. Laster is many things: A virtuoso violinist with exquisite taste. An adventurous composer, arranger and orchestrator. A classically-trained artist with a deep appreciation for America's musical history, and a scholar of African-American musical heritage. A socially conscious activist and educator who understands the power of music to reach and touch everyday people.
Post Date: 04-15-2025
Bard Baroque Ensemble Presents Concert in Memory of Frederick Fisher Hammond on April 19
The Bard Baroque Ensemble, under the direction of Renée Anne Louprette, presents a concert in the Fisher Center’s Sosnoff Theater with works by Bach, Handel, and Mozart.
Bard Baroque Ensemble Presents Concert in Memory of Frederick Fisher Hammond on April 19
Bard Baroque Ensemble. Photo by Christopher Kayden
The Bard Baroque Ensemble, under the direction of Renée Anne Louprette, presents a concert dedicated to the memory of Frederick Fisher Hammond (1937–2023), Professor Emeritus, Irma Brandeis Chair of Romance Cultures and Music History at Bard College. Presented with the Bard Chamber Singers, Bard Preparatory Division Chorus, and the Graduate Vocal Arts Program, the program includes works by Bach, Handel, and Mozart and features the rededication of Frederick Hammond’s two restored William Dowd harpsichords. The performance will be held on Saturday, April 19 at 7 pm in the Fisher Center’s Sosnoff Theater. This is the Bard Baroque Ensemble’s debut concert in the Sosnoff Theater. The concert is free and open to the public. For information visit fishercenter.bard.edu/whats-on/ or call 845-758-7900 (Mon–Fri 10 am–5 pm).
The evening’s program celebrates the restoration of Professor Hammond's French double-manual and Italian single-manual harpsichords—now a part of Bard College’s collection of early keyboard instruments—featuring them in the Concerto for Two Harpsichords, Strings, and Continuo in C Minor, BWV 1060 by Johann Sebastian Bach, with Sophia Cornicello and Raymond Erickson as harpsichord soloists. One of Wolfgang Amadeus Mozart's most popular and enduring works, Symphony No. 40 in G Minor, K. 550, opens the program, interpreted by the Ensemble with a Baroque sensibility. Bard faculty member and distinguished tenor Rufus Müller presents the ravishing opening aria from Handel’s Serse: Ombra mai fu (Never was a shade). The program concludes with Bach's Cantata No. 1: Wie schön leuchtet Der Morgenstern (How brightly shines the Morningstar), featuring the Bard Chamber Singers, Preparatory Division Children's Chorus, and soloists from the Graduate Vocal Arts Program. This luminous chorale-cantata—originally conceived for the Feast of the Annunciation—is presented here in the context of transition from darkness to light, on the date of Holy Saturday within the Christian Church. Valentina Grasso, assistant professor of history at Bard, will present a reading from Dante’s Divine Comedy—in lieu of the traditional Lutheran sermon—at the center of Bach’s 1724 masterpiece.
Post Date: 03-27-2025
Book by Franz Nicolay One of the “Best Music Books of 2024” by Rolling Stone
Nicolay’s Band People: Life and Work In Popular Music offers a close look at the lives of working musicians, like backup singers and support musicians, whose creative collaboration plays an irreplaceable role in popular music.
Book by Franz Nicolay One of the “Best Music Books of 2024” by Rolling Stone
Franz Nicolay, visiting instructor of music at Bard College.
A book by Franz Nicolay, visiting instructor of music at Bard College, has been included in Rolling Stone’s list of “Best Music and Books of 2024.” Nicolay’s Band People: Life and Work In Popular Music offers a close look at the lives of working musicians, like backup singers and support musicians, whose creative collaboration plays an irreplaceable role in popular music. In interviews and through cultural critique, Nicolay explores how these artists approach their craft and elevates the voices of many freelancers and non-leads members who are often on the sidelines in the music industry. “From cult heroes like guitarist Nels Cline and bassist Mike Watt to band stalwarts like Fugazi bassist Joe Lally and Babes in Toyland drummer Lori Barbero to studio first-calls like drummer Josh Freese and bassist Melissa Auf Der Mar, Band People shows the nuts and bolts of what they do and how they do it,” Rolling Stone writes. “These players out of the spotlight have memorable things to say about every aspect of their trade.”