More than 50 years after Donald Fagen and Walter Becker first met at Bard College, the College’s elite musicians come together for a first-of-its-kind concert celebrating the music of Steely Dan. Featuring a full rhythm section, horns, and background singers, the band will perform a selection of Steely Dan’s high-fidelity hits in exacting detail. Streamed live from Olin Hall in 2023.
Sunday, April 28, 2024 Hudson Valley Youth Jazz Orchestra Olin Hall4:00 pm – 5:00 pm EDT/GMT-4 Director Dan Shaut with Roland Vazquez Band
Featuring Tristen Napoli (tpt), Nathan Childers (sax), Jessica Jones (sax), Dan Shaut (sax), Elliott Steele (pno), Nick Edwards (bss), Pito Castillo (cga), and Roland Vazquez (dms).
Celebrate Jazz Appreciation Month! Special Thanks to Local A.F.M. 238-291, La Voz, Radio Kingston, and Bridge Arts & Education for their generous support.
4:00 pm – 5:00 pm EDT/GMT-4 Olin Hall
Music Program Newsroom
Bard Composer in Residence Missy Mazzoli Featured on NPR
Missy Mazzoli, composer in residence at Bard College, performed together with violinist Jennifer Koh for Tiny Desk Concerts at NPR’s headquarters. The two artists, who have collaborated on projects for 15 years, performed a set of pieces composed by Mazzoli and brought to life by Koh’s violin.
Bard Composer in Residence Missy Mazzoli Featured on NPR
Missy Mazzoli, composer in residence at Bard College, performed together with violinist Jennifer Koh for Tiny Desk Concerts at NPR’s headquarters. The two artists, who have collaborated on projects for 15 years, performed a set of pieces composed by Mazzoli and brought to life by Koh’s violin. “Dissolve, O my Heart, the first piece Mazzoli wrote for Koh, spirals out into an emotional journey touched with spasms of joy and grief,” writes Tom Huizenga for NPR. He continues: “Hearing this set, in all its rugged delight, feels like we're eavesdropping on something personal—a fruitful, collaborative friendship between composer and performer that has yielded amazing music.”
At the 66th annual GRAMMY Awards ceremony, the Recording Academy honored first-time GRAMMY award winners Bard Composer in Residence Jessie Montgomery, who won Best Contemporary Classical Composition for “Rounds,” and Bard Conservatory of Music’s Graduate Vocal Arts Program alumna Julia Bullock MM ’11, who won Best Classical Solo Vocal Album for Walking in the Dark. Artistic Director of the Graduate Vocal Arts Program Stephanie Blythe is featured on the album Blanchard: Champion, which won for Best Opera Recording.
Bard College Faculty and Alumna Win 2024 GRAMMY Awards
At the 66th annual GRAMMY Awards ceremony, the Recording Academy honored the 2024 GRAMMY winners. Among them, Bard Composer in Residence Jessie Montgomery won Best Contemporary Classical Composition, her first GRAMMY award, for her composition “Rounds.” Bard Conservatory of Music’s Graduate Vocal Arts Program alumna Julia Bullock MM ’11 also won her first GRAMMY award, winning Best Classical Solo Vocal Album for her album Walking in the Dark. Artistic Director of the Graduate Vocal Arts Program Stephanie Blythe is featured on the album Blanchard: Champion, which won for Best Opera Recording.
Jessie Montgomery’s “Rounds” is a composition for piano and string orchestra inspired by the imagery and themes from T.S. Eliot’s epic poem Four Quartets, fractals (infinite patterns found in nature that are self-similar across different scales), and the interdependency of all beings.
Julia Bullock’s Walking in the Dark was recorded with her husband, conductor and pianist Christian Reif, and London’s Philharmonia Orchestra. The album combines orchestral works by American composers John Adams and Samuel Barber with a traditional spiritual and songs by jazz legend Billy Taylor and singer-songwriters Oscar Brown, Jr., Connie Converse, and Sandy Denny.
The Metropolitan Opera’s recording of Terence Blanchard’s Champion, an opera about young boxer Emile Griffith who rises from obscurity to become a world champion, was conducted by Yannick Nézet-Séguin and featured a cast including mezzo-soprano Stephanie Blythe as Kathy Hagen.
Artistic Director of the Bard College Conservatory Graduate Vocal Arts Program Stephanie Blythe
The GRAMMYs are voted on by more than 11,000 music professionals—performers, songwriters, producers, and others with credits on recordings—who are members of the Recording Academy.
Visiting Assistant Professor of Music Sarah Hennies; New Red Order, an Indigenous art collective whose core contributors are Bard alumni Adam Khalil ’11 (Ojibway) and Zack Khalil ’14 (Ojibway); and Trisha Baga MFA ’10 have received 2024 United States Artist (USA) Fellowships in the disciplines of Music and Visual Arts. USA Fellowships provide $50,000 in unrestricted money to artists across 10 creative disciplines.
Bard Music Professor Sarah Hennies and Alums Adam Khalil ’11, Zack Khalil ’14, and Trisha Baga MFA ’10 Win 2024 United States Artist Fellowships
Visiting Assistant Professor of Music Sarah Hennies; New Red Order, an Indigenous art collective whose core contributors are Bard alumni Adam Khalil ’11 (Ojibway) and Zack Khalil ’14 (Ojibway); and Trisha Baga MFA ’10 have received 2024 United States Artist (USA) Fellowships in the disciplines of Music and Visual Arts. Hennies, New Red Order, and Baga are among this year’s 50 awardees, encompassing artists and collectives spanning multiple generations, who are dedicated to their communities and committed to building upon shared legacies through artistic innovation, cultural stewardship, and multifaceted storytelling. USA Fellowships provide $50,000 in unrestricted money to artists across 10 creative disciplines. In addition to the award, current fellows have access to financial planning, career consulting, legal advice, and other professional services as requested.
Sarah Hennies is a composer based in Upstate NY whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer and trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought.
New Red Order is a public secret society facilitated by core contributors Adam Khalil (Ojibway), Zack Khalil (Ojibway), and Jackson Polys (Tlingit) that collaborates with informants to create exhibitions, videos, and performances that question and rechannel subjective and material relationships to indigeneity.
Trisha Baga is a Filipino-American artist working in stereoscopic 3D video installation, paint, clay, consumer grade electronics, and community performance. Compelled by an interest in what they call “the stuff that makes things stick together,” Baga recombines objects and images into scenarios that address issues related to the environment, technology, and identity.
Representing a broad diversity of regions and mediums, the USA Fellows are awarded through a peer-led selection process in the disciplines of Architecture & Design, Craft, Dance, Film, Media, Music, Theater & Performance, Traditional Arts, Visual Art, and Writing.
Popular Science Names Pippa Kelmenson ’17’s Bone Conductive Instrument as One of the “Most Innovative Musical Inventions of the Past Year”
“Every year since 2009, a handful of artists, engineers, musicians, and hobbyists from around the world arrive in Atlanta, Georgia, with one-of-a-kind instruments in tow,” writes Andrew Paul for Popular Science. Among them is Pippa Kelmenson ’17, inventor of the Bone Conductive Instrument, or BCI. Popular Science named the BCI, which “emits sound signals to vibrate individual body resonant frequencies to aid hard-of-hearing users,” as one of 2023’s most innovative musical inventions. According to Kelmenson, the BCI “calls for an inclusive and innovative way for users across the hearing spectrum to interact with sound.”
Whitney Biennial 2024 to Feature Bard College Faculty and Alums
Bard College faculty members and alums will be among the 71 artists and collectives selected to participate in this year’s Whitney Biennial, the 81st installment of the landmark exhibition series. Whitney Biennial 2024: Even Better Than the Real Thing opens on March 20. Works by Visiting Assistant Professor of MusicSarah Hennies; Assistant Professor of American and Indigenous Studies, Distinguished Artist in Residence in Studio Arts, and Bard MFA Faculty in Music/Sound KiteMFA ’18;andBard MFA Faculty in Sculpture Lotus Laurie Kang MFA ’15 will be featured alongside those by alums Diane Severin Nguyen MFA ’20, Carolyn Lazard ’10, and Eddie Rodolfo Aparicio ’12. The Center for Curatorial Studies, Bard College graduate Min Sun Jeon CCS ’22 helped to organize the exhibition.
The 2024 Whitney Biennial is organized by Chrissie Iles (Anne and Joel Ehrenkranz Curator) and Meg Onli (Curator at Large), with Min Sun Jeon CCS ’22 and Beatriz Cifuentes. The performance program is organized by Iles and Onli, with guest curator Taja Cheek. The film program is organized by Iles and Onli, with guest curators Korakrit Arunanondchai, asinnajaq, Greg de Cuir Jr, and Zackary Drucker.
“After finalizing the list of artists last summer, we have built a thematic Biennial that focuses on the ideas of ‘the real,’” write the curators. “Society is at an inflection point around this notion, in part brought on by artificial intelligence challenging what we consider to be real, as well as critical discussions about identity. Many of the artists presenting works—including via robust performance and film programs—explore the fluidity of identity and form, historical and current land stewardship, and concepts of embodiment, among other urgent throughlines, and we are inspired by the work they are creating and sharing.”
Joan Tower’s Concerto for Piano (Homage to Beethoven) and Missy Mazzoli’s Dark with Excessive Bright Included in NPR’s Top Ten Classical Albums of 2023
Concerto for Piano (Homage to Beethoven) by Joan Tower, Asher B. Edelman Professor in the Arts and composition faculty of the Conservatory of Music at Bard, and Dark with Excessive Bright by Missy Mazzoli, Bard composer in residence, were both included in NPR's roundup of top ten classical albums of 2023. NPR music producer and classical music reviewer Tom Huizenga writes, "Now 85, Tower could rest on her achievements, but she's still fulfilling commissions with her singular, sturdy music," noting the many leading contemporary composers revere her, including Missy Mazzoli, whose album was also selected in this year's top ten. "[T]he album is tonal — in a Bartók or Joan Tower kind of way — with notes stacked to produce fresh, often unusual sounds," writes Huizenga, who says this album proves Mazzoli "can create shimmering instrumental music with large forces."
Symphony No. 107 – The Bard, a Posthumous Album by Richard Teitelbaum, Announced in Bandcamp’s Best Contemporary Classical Music of 2023
A posthumous album by Richard Teitelbaum, a member of Musica Elettronica Viva (MEV) and former Bard College professor of music, has been included in Bandcamp’s 2023 list of Best Contemporary Classical Music. Symphony No. 107 — The Bard, a previously unreleased live recording, was performed in Olin Hall at Bard College in 2012, and was edited, mixed, and mastered by Matt Sargent, assistant professor of music at Bard, in October 2022. “The music builds from near-silence to unleash a spirited collage of texture and gesture, constantly mutating and blending, with live instrumental bits—on piano, shofar, or harmonica—seeping in, sometimes taking over, or blending within electronic soundscapes,” writes Peter Margasak for Bandcamp. Teitelbaum taught electronic and experimental music at Bard for over 30 years, and cochaired the music department of the Master of Fine Arts program. He was one of the founding members of the pioneering electronic music group MEV, created in Italy in 1966, together with Alvin Curran and Frederic Rzewski.
Stranger Love by Dylan Mattingly ’14 and Professor Thomas Bartscherer Among New York Times Best Classical Music Performances of 2023
The one-night-only, six-hour-long opera Stranger Love by composer and Bard alumnus Dylan Mattingly ’14 and librettist Thomas Bartscherer, Bard’s Peter Sourian Senior Lecturer in the Humanities, has been selected as one of the best classical music performances of 2023 by the New York Times. The performance was conducted by Mattingly’s fellow Bard alumnus David Bloom ’13. “For all its abstraction and timelessness — what is more ageless than the opera’s themes of love and beauty? — this work is absolutely of its time, slowing down emotion in a world that moves uncontrollably fast,” writes Joshua Barone. “The premiere run, at the Los Angeles Philharmonic in May, was just a single evening, but Stranger Love deserves a life far beyond that.”
Interview: President Botstein with David Krauss for Speaking Soundly Podcast
Bard President Leon Botstein spoke with David Krauss for the podcast Speaking Soundly, where he discussed the current state of the arts and classical music, the perspectives that informed his journey as a musician, and his approach to leading Bard for nearly 50 years. “Music is part of life, it’s not a segregated technical enterprise,” Botstein told Krauss. “So I thought, if I’m going to contribute something as a musician, I have to bring something different to the table.” He continues, “I focused early on the reclaiming effort of the history of music, to rewrite the history of music on the concert stage.” In conversation with Krauss, Botstein goes on to examine the practical and emotional challenges faced by a conductor while leading an orchestra, the role of broader education in becoming an instrumentalist and composer, and the importance of having an inquiring mind as a musician.
Blum Hall7:30 pm – 9:00 pm EST/GMT-5 Works by Anonymous (“Willow Song” from Othello) Blues Michael Gordon F. J. Haydn W. A. Mozart Astor Piazzolla G. P. Telemann Performed by 7:30 PM Clemens Henning, flute; Hanson Shang, marimba Cristian Zavela, 5 tuned drums Caleb Carman, piano Havvah Keller, flute; Freddy Coronel, guitar; Isabel Lagunes, cello Ivan Tamayo, Leo Belsky, guitars Niall Ransford, Nicole Hazan, Finn O’Rourke, guitars assisted by Peter Laki, baritone; Patricia Spencer, piano
Music Program events are now open to fully vaccinated members of the community. All visitors must register and demonstrate proof of vaccination in advance and wear a mask in any indoor campus setting
Bard Hall1:00 pm – 2:00 pm EST/GMT-5 As we readjust to human social life after the worst of the plague, Professor Rufus Müller’s Performance Class presents a brief concert of songs about mammals, birds, insects and fish, with settings by Barber, Chausson, Fauré, Saint-Saëns, Hahn, Debussy, and Poulenc.
Thursday, December 9, 2021
Blum Hall8:30 pm – 9:30 pm EST/GMT-5
Thursday, December 9, 2021
Olin Hall8:00 pm – 10:00 pm EST/GMT-5
Thursday, December 9, 2021
Root Cellar8:00 pm – 10:00 pm EST/GMT-5
Thursday, December 9, 2021
Works by Richard Teitelbaum, Kaija Saariaho, Matt Sargent, Jonah Knapp-Wilson ‘22, and Paula Matthusen Bitó Conservatory Building7:00 pm – 9:00 pm EST/GMT-5 Music reflecting on the natural world, ranging from the field recordings of Richard Teitelbaum's “Threshold Music,” the pastoral reflections of Saariaho's cello opus, “Sept Papillons,” to the study of resonances heard within a New York City aqueduct system by Paula Matthusen in “Ontology of Echo,” these pieces reveal the potential for musicality surrounding the listener in daily life.
Curated in conjunction with the Bard electronic music program, directed by Matt Sargent, many of the pieces feature live electronics, including a new work for ensemble and electronics by Jonah Knapp-Wilson (Bard '22).
Bard Conservatory events are now open to fully vaccinated members of the community. All visitors who are not Bard students, faculty, or staff must register and demonstrate proof of vaccination in advance and wear a mask in any indoor campus setting Register to attend here - https://forms.gle/yGHSncyESFCqF8489
Program: Richard Teitelbaum - Threshold Music (1974), performed by students/faculty from Bard electronic music program Kaija Saariaho - Sept Papillons (2000), with Lily Moerschel, cello Paula Matthusen - Forgiveness Anthems (2010), with Rea Ábel, flute Jonah Knapp-Wilson, '22 - (new work, 2021) Paula Matthusen - Ontology of an Echo (2013) Matt Sargent - Songs, Clouds (2020), with Isabelle O'Connell, piano
Thursday, December 9, 2021
Fisher Center, Resnick Theater Studio7:00 pm – 8:00 pm EST/GMT-5
Tuesday, December 7, 2021
the Jazz Room, Blum N2118:00 pm – 9:00 pm EST/GMT-5
Monday, December 6, 2021
Blum Hall8:30 pm – 9:30 pm EST/GMT-5
Sunday, December 5, 2021
Winter Concert Bitó Conservatory Building, Performance Space2:00 pm – 3:30 pm EST/GMT-5 The Chinese Ensemble returns to live concerts at Bard with an exciting program for mixed Chinese and Western instruments, especially arranged for the ensemble by conductor Chen Tao.
Bard Conservatory events are now open to fully vaccinated members of the community. All visitors must register and demonstrate proof of vaccination in advance and wear a mask in any indoor campus setting.
PROGRAM Good Friends 阿西里西 by Zhu Yi, Arr. by Chen Tao Autumn Thoughts 秋思 – 古琴与乐队 by Chen Tao & Liu Li Little Boat 小行舟 Folk Music, Arr. by Chen Tao Song of Flower & Drum 花香鼓舞 by Shang Yi, Arr. by Chen Tao Buddha in the Temple 佛上殿 Classical Music, Arr. by Chen Tao Hometown Ballad 乡谣 by Cao Wen-Gong, Arr. by Chen Tao
Plus selected chamber pieces for small ensemble. ABOUT THE ENSEMBLE
The Bard Chinese Ensemble is mainly composed of the Conservatory’s Chinese instrument majors, along with various students of Western instruments joining each semester, depending on the repertoire. With increased enrollment in Chinese instrument majors each year since 2018, this year the Ensemble is composed of nearly 20 musicians.
Conductor and arranger Chen Tao is a dizi (bamboo flute) master and the artistic director of Melody of Dragon, an educational and performing arts organization in New York City focusing on traditional Chinese music. Chen Tao studied at the Central Conservatory of Music in Beijing, and has been teaching and performing in the New York area for nearly 30 years.
Thursday, December 2, 2021
Blum Hall8:00 pm – 10:00 pm EST/GMT-5
Sunday, November 28, 2021
Bitó Conservatory Building, Performance Space2:00 pm – 3:30 pm EST/GMT-5 Bard Conservatory events are now open to fully vaccinated members of the community. All visitors must register and demonstrate proof of vaccination in advance and wear a mask in any indoor campus setting
Fisher Center, Sosnoff Stage8:00 pm – 10:00 pm EST/GMT-5 George Bizet Symphony in C (1855) Antonin Dvořák Symphony No. 7 in D minor, Op. 70 (1885)Sponsored by: Bard College Community Orchestra.
Music Program events are now open to fully vaccinated members of the community. All visitors must register and demonstrate proof of vaccination in advance and wear a mask in any indoor campus setting Register to attend here - https://forms.gle/YHNerDGd1QkrrxaC6
Monday, November 22, 2021
A Night On Broadway Old Gym6:30 pm – 7:30 pm EST/GMT-5 Come join me as I celebrate the return of live (musical) theatre for my first concert as part of the Bard College Music Program senior project requirement!!! An hour long set of musical theater sung by amazing singer friends. Limited seating capacity. Masks must be worn at all times.
Sunday, November 21, 2021
Olin Hall5:00 pm – 7:00 pm EST/GMT-5 For any non-Bard visitors and guests, please complete the Concert Vaccine registration form here: https://forms.gle/HCVJGs2PxtuhxKJ89
Saturday, November 20, 2021
Olin Hall6:00 pm – 7:00 pm EST/GMT-5
Thursday, November 18, 2021
Olin Hall7:00 pm – 9:00 pm EST/GMT-5 Music Program events are now open to fully vaccinated members of the community. All visitors must register and demonstrate proof of vaccination in advance and wear a mask in any indoor campus setting Register to attend here - https://docs.google.com/forms/d/18unuAeKF4c-6zjZjCjOpD0efFz6HeXSGR1PdCh9PkK8/edit
Monday, November 15, 2021
Blum Hall8:00 pm – 10:00 pm EST/GMT-5
Friday, November 12, 2021
Bard Hall5:00 pm – 7:00 pm EST/GMT-5
Sunday, November 7, 2021
Featuring two French composers plus two American composers who studied with Nadia Boulanger Online Event4:00 pm – 6:00 pm EDT/GMT-4 Program: Thea Musgrave (b. 1928), Primavera (1971) soprano and flute Joseph Bologne, Chevalier de St. Georges, Sonata in B-flat Major, Op. 1a, No. 1 flute and piano Maurice Duruflé, Prélude, Récitatif et Variations flute, viola, and piano Carl Philipp Emanuel Bach, Quartet in D Major, Wq 94 flute, viola, and piano Aaron Copland, Duo for Flute and Piano (1971)
Saturday, November 6, 2021
Blum Hall7:30 pm – 9:30 pm EDT/GMT-4 Bent Duo, a New York-based piano and percussion duo of David Friend and Bill Solomon, perform new work by Bard electronic music faculty Matt Sargent and Sarah Hennies, as well as a premiere of a new composition by Bard alum Meghan Mercier.
David Friend has been hailed as “astonishingly compelling” (Washington Post), “spooky precision” (The Times of London), “[one] of the finest, busiest pianists active in New York’s contemporary-classical scene” (The New York Times). Bill Solomon has been called a "fine soloist" (NY Times) and "a stand out" (The Boston Globe).
Bent Duo will also give a talk about their public art projects (including Ramble, installed in Central Park in 2019) at 3 PM on Sat. 11/6 in Blum N119. Students, faculty, and Bard community members are welcome to attend the talk and concert.
Wednesday, August 18, 2021
Chapel of the Holy Innocents5:00 pm – 6:00 pm EDT/GMT-4 Info session with Music Program faculty and staff.
Saturday, May 22, 2021
Bard Hall6:30 pm – 8:00 pm EDT/GMT-4
Thursday, May 20, 2021
Bito CPS3:00 pm – 4:00 pm EDT/GMT-4
Wednesday, May 19, 2021
Blum courtyard5:30 pm – 6:30 pm EDT/GMT-4
Friday, May 14, 2021
Handel Aria Project 8:00 pm – 9:30 pm EDT/GMT-4 HANDEL ARIA PROJECT Bard Baroque Ensemble Renée Anne Louprette, Director
Graduate Vocal Arts Program Bard College Conservatory Stephanie Blythe, Artistic Director Kayo Iwama, Associate Director
The HANDEL ARIA PROJECT features a selection of George Frideric Handel’s most exquisite and beloved arias from his operas Rodelinda and Giulio Cesare. Graduate students and faculty members from Bard College Conservatory’s Vocal Arts Program join the Bard Baroque Ensemble under the direction of Renée Anne Louprette to present these works in video-recorded performances captured throughout the Spring 2021 academic semester. The program will be framed by movements from Handel’s Organ Concerto, Op. 4, No. 4 and Trio Sonata, Op. 2, No. 4.
8:00 pm – 9:30 pm EDT/GMT-4 Featuring the east coast premier of Jerod Impichchaachaaha’ Tate's "Chokfi’" and works of Bach, Sibelius, Shostokovich, and Andriessen.
Friday, May 7, 2021
Online Event7:00 pm – 8:30 pm EDT/GMT-4 Program: Sonata in E minor for Cello and Piano, Op. 38 (1865) Allegro non troppo Allegretto quasi Menuetto Allegro
Sonata in F major for Cello and Piano, Op. 99 (1886) Allegro vivace Adagio affettuoso Allegro passionato Allegro molto
Online Event3:00 pm – 4:00 pm EST/GMT-5 The Caribbean Students Association invites the Bard community to join a virtual live screening and panel discussion of the newest Jamaican Dancehall documentary, Out There Without Fear, by Bard student Joelle Powe. This is a multidisciplinary cross-cultural experience expanding into gender and sexuality studies, philosophy, theater, film, anthropology, sociology, music, Africana studies, history, preservation, and religion through the study of dance.
Day 1: Panel Discussion – February 19 from 1 pm to 3 pm EST Meet with the filmmaker and panelists calling in from Kingston, Jamaica. Musicologist Herbie Miller, iconic dancer Kool Kid, and internationally renowned choreographer Latonya Style want to answer your questions! The panel will be moderated by the documentarian, Joelle Powe.
Day 2: Dance Workshop – February 20 from 3 pm to 4 pm EST Dance with two award-winning Dancehall celebrities, Kool Kid and Latonya Style.
Art . . . Dance . . . Classism . . . Violence . . . Sexuality . . . Homophobia . . . The Church . . . The Empowerment of Women . . . Blackness
Friday, February 19, 2021
Online Event1:00 pm – 3:00 pm EST/GMT-5 The Caribbean Students Association invites the Bard community to join a virtual live screening and panel discussion of the newest Jamaican Dancehall documentary, Out There Without Fear, by Bard student Joelle Powe. This is a multidisciplinary cross-cultural experience expanding into gender and sexuality studies, philosophy, theater, film, anthropology, sociology, music, Africana studies, history, preservation, and religion through the study of dance.
Day 1: Panel Discussion – February 19 from 1 pm to 3 pm EST Meet with the filmmaker and panelists calling in from Kingston, Jamaica. Musicologist Herbie Miller, iconic dancer Kool Kid, and internationally renowned choreographer Latonya Style want to answer your questions! The panel will be moderated by the documentarian, Joelle Powe.
Day 2: Dance Workshop – February 20 from 3 pm to 4 pm EST Dance with two award-winning Dancehall celebrities, Kool Kid and Latonya Style.