2025
Thursday, April 17, 2025
Blum N211, the Jazz room 7:30 pm – 8:30 pm EDT/GMT-4
Join us for Jamie Hart's degree concert. |
Tuesday, April 15, 2025 László Z. Bitó Conservatory Performance Space 4:00 pm – 8:30 pm EDT/GMT-4 This special concert is dedicated to the memory of Richard Gordon, Professor Emeritus of Psychology at Bard College and a consummate jazz pianist. His enduring contributions to both academia and the arts will be honored through this musical tribute. The series is generously supported by Bard Jazz Studies, the Bitó Conservatory of Music and private donations in his memory. Join us for an Artist's talk with Eri Yamamoto at 4pm in Blum N211, then a concert at 7:30 pm in the Lásló Z. Bitó '60 Performance Space. |
Tuesday, April 15, 2025
Jazz at Bard and the László Z. Bitó Conservatory of Music Present
Bitó Conservatory Building, Performance Space 4:00 pm – 9:00 pm EDT/GMT-4 Free and open to the public. Artist Talk with Eri Yamamoto: 4:00–5:00 PM, Blum N211 Concert: 7:30 PM, László Z. Bitó Conservatory Performance Space Featuring: Eri Yamamoto, piano; William Parker, bass; Ikuo Takeuchi, drums. Eri Yamamoto has firmly established herself as one of Jazz’s most original and compelling pianists and composers. Her artistry has been lauded by Jazz legends and critics alike. This special concert is dedicated to the memory of Richard Gordon, Professor Emeritus of Psychology at Bard College and a consummate Jazz pianist. His enduring contributions to both academia and the arts will be honored through this musical tribute. The series is generously supported by Bard Jazz Studies, the Bitó Conservatory of Music, and private donations in his memory. Download: Eri-Yamamoto-Poster-1.pdf |
Monday, April 14, 2025 Bard electronic music students present music, films, experiments, and drafts in an informal setting. This month's musicians include Iris Gross, Felix LeVeque, August Levine, and Ondina McDonald. Open and free to the public. |
Saturday, April 12, 2025 Bitó Conservatory Building, Performance Space 4:00 pm EDT/GMT-4 A showcase featuring compositions by Elena Hause, Lili M. Namazi, Rowan Robinson, Olivia Marhevka, Logan Rishard, Santiago Mieres, Artemy Muhkin, Steve Bonacci, Julian Raheb, Emily Ta, Sam Mutter, Faisal Jones, Drew Frankenberg, and Manar Hashmi. Free and open to the public. Livestreaming on the Conservatory YouTube Channel here. Download: 04_12_25 Music Alive Program.pdf |
Saturday, April 12, 2025 – Sunday, April 13, 2025
Memorial Hall (Old Gym) 12:00 pm – 12:00 pm EDT/GMT-4
Presented by WXBC and Bard Electronic Music, 24 Hour Drone will be a full day (noon April 12 – noon April 13) of continuous musical performances by Bard students, faculty, and community members. More information here. Download: 24-hour-drone-poster.pdf |
Wednesday, April 9, 2025 Bard Electronic Music is proud to present German electroacoustic artist Christoph Heemann's live performance in Blum Hall on Wednesday, April 9. A legendary figure in electronic music who has quietly produced a unique and vast body of work since his beginnings with the absurdist cutups of H.N.A.S. in the mid-1980s, Heemann has been active as a solo artist and in many groups including Mirror (with Andrew Chalk), Mimir (with Jim O’Rourke), and In Camera (with Timo van Luijk). Christoph Heemann will also speak to Sarah Hennies’ Composing With Field Recordings class on April 10. Those wishing to attend this artist talk can get in touch with Professor Hennies at [email protected]. This event is free and open to the public. |
Sunday, April 6, 2025
Bitó Conservatory Building, Performance Space 1:00 pm – 2:00 pm EDT/GMT-4
Join us for a student degree recital. |
Thursday, March 13, 2025 |
Monday, March 3, 2025 Bard seniors and visiting faculty share drafts, collaborations, experiments, and improvisations. Free and open to the public. |
Friday, February 21, 2025 Bitó Conservatory Building, Performance Space 4:00 pm EST/GMT-5 Raymond Erickson is a musician-scholar of unusual breadth. He has travelled the world as a performer on both piano and harpsichord (with improvisations often integrated into his programs) and has made significant contributions as a musical historian in fields as diverse as computer applications in music, medieval music theory, Schubert, and Bach. For almost forty years he was on the faculty of Queens College and the Graduate Center, CUNY, serving as founding Director of the Aaron Copland School of Music and Dean of Arts and Humanities at the College and as the principal teacher of historical performance practices at the Graduate Center. Upon his retirement, he and his wife moved to Rhinecliff; he has since become a regular instructor in Bard's Lifelong Learning Institute as well Artist-in-Residence at the Conservatory. Erickson has four books to his credit and for many years directed, in both New York and Japan, "Rethinking Bach: A Workshop for Performers." His current research focuses on the performing history of Bach's iconic Ciaccona for unaccompanied violin, on which he has published several articles and produced two videos (one with a performance by Bard alumna and faculty member Luosha Fang). His honors include election as an Honorary Member of Phi Beta Kappa, and decoration with the Federal Service Cross, First Class of the Federal Republic of Germany. Free and open to the public. |
Monday, February 17, 2025 Performances of compositions and improvisations for two flutes, piano, and electronics. As a composer, flutist, and improviser, Rachel Beetz explores presence through sound and listening. Her works recreate physical atmospheres based on her deep listening adventures in the wild, exploring hidden worlds of nature and machines. Combining experimental field recordings and electronically modified flutes, her works examine community, environmentalism, and women’s work through sound, textiles, and lighting. Her projects have been featured in concert halls and galleries in Australia, Iceland, India, the United Kingdom, and the United States. You can hear her on Orenda, Blue Griffin, iikki, Neuma, and Populist record labels. She is currently a co-director of Populist Records. Julie Herndon is a composer, performer and sound artist. Her work explores the body’s relationship to sound using musical instruments and technologies. Her compositions and installations, described as “like a signal from another world” by Tages-Anzeiger, have been presented at the MATA Festival and National Sawdust in New York, San Francisco Electronic Music Festival, Sonorities Festival in Ireland, Museo de Arte Contemporaneo de Oaxaca in Mexico, Music Biennale Zagreb in Croatia, Artistry Space in Singapore, and by Forest Collective in Australia. Julie is currently Assistant Professor of music technology and composition at Cal Poly, San Luis Obispo. Berglind Tómasdóttir is a flutist and interdisciplinary artist living in Reykjavík, Iceland. In her work she frequently explores identity and archetypes, as well as music as a social phenomenon. An advocate of new music, Berglind has worked with composers such as Björk, Anna Thorvaldsdottir, Peter Ablinger and Carolyn Chen, and received commissions from Dark Music Days, The National Flute Association, Cycle Music and Art Festival, Reykjavík Arts Festival and Nordic Music Days, to name a few. Berglind Tómasdóttir holds degrees in flute playing from Reykjavik College of Music and The Royal Danish Music Conservatory in Copenhagen and a DMA in contemporary music performance from University of California, San Diego. Berglind is a professor in contemporary music performance and program director of NAIP (New Audiences and Innovative Practice) at Iceland University of the Arts. Free and open to the public. |
Tuesday, February 4, 2025 – Wednesday, February 5, 2025 Wednesday, 2/5: Visiting ensemble, Bearthoven Tuesday, 2/4 - Bito CPS, Wednesday, 2/5 - Blum Hall 7:30 pm – 9:30 pm EST/GMT-5 On Tuesday, February 4, Michael Jones (UC San Diego) performs new music on percussion and electronics by Bard professor Matt Sargent and composer Scott Wollschleger. 7:30 PM in Bito CPS. On Wednesday, February 5, a trio of Karl Larsen (piano), Pat Swoboda (bass), and Matt Evans (percussion) performs music by Bard graduate Leila Bordreuil and Bard professor Sarah Hennies. 7:30 PM in Blum Hall. Both events are free and open to the public. |
Sunday, February 2, 2025 Fisher Center, LUMA Theater 2:00 pm – 3:00 pm EST/GMT-5 The popular Bard Opera Workshop returns again this year with student singers performing a selection of scenes from the operatic canon. The performance is directed by Jay Lesenger and accompanied by an orchestra of Bard students. |
Saturday, February 1, 2025 Fisher Center, LUMA Theater 7:30 pm – 8:30 pm EST/GMT-5 The popular Bard Opera Workshop returns again this year with student singers performing a selection of scenes from the operatic canon. The performance is directed by Jay Lesenger and accompanied by an orchestra of Bard students. |
Friday, January 31, 2025 Fisher Center, LUMA Theater 7:30 pm – 8:30 pm EST/GMT-5 The popular Bard Opera Workshop returns again this year with student singers performing a selection of scenes from the operatic canon. The performance is directed by Jay Lesenger and accompanied by an orchestra of Bard students. |